A collaboration between Mark O'Kelly and Sarah Pierce on the occasion of Mark O'Kelly's solo exhibition In Fashion at Limerick City Gallery of Art (14 January - 14 February 2005).
For Caged Archive Pierce worked directly with one artist, Mark O'Kelly, in the context of his solo exhibition. Playing on Bruce Nauman's Mapping the Studio (Fat Chance John Cage) 2000, Pierce and O'Kelly designed a system for viewing materials collected from the artist's studio. Pierce worked with O'Kelly's archive to create a written index to the artists primary resources. The formal structure of Caged Archive suggests Nauman's gallery chambers, and directions on the cage mark the collaboration between Pierce and O'Kelly as a ritualised giving over of materials in order to make present what is usually left behind.
Caged Archive, Limerick City Gallery, Limerick 2005
Design and fabricate a cage suitable for two people to stand in and move around comfortably.
Place the cage in an exhibition space, preferably.
Select items from the artistÕs archive of source material (notes, newspaper and magazine clippings, sketches, letters, Xeroxes).
Place these inside the cage.
List and annotate items using comments and notes.
Equip the cage with suitable furnishings, locks and fittings.
Periodically enter the cage to show people items in the archive.
Take in the small connections and associations that reveal hidden truths.
0000
Small mirror approx 25 x 29 mm from Mark O'Kelly's studio
FILE 1 0001-0080
var. A4 notes and newspaper clippings re: installation exhibition Old Holland New Amsterdam c. 10/05
0077
Living Review:Homes Var. windmills (studies for painting Old Holland)
0078
Unidentified newspaper (poss. The Guardian): 12/02/04 photograph of cages, prison Camp Delta Guantanamo Bay; reverse Arts Section The Camera DoesnÕt Lie 2 archival crowd shots of the 2nd anniversary of the Russian Revolution, 1919, one with Lenin and Trotsky, one with Trotsky airbrushed out
0079-0080
A4 sheet of paper with handwritten note: Handwriting Analysis in pencil
0081 - 0097
The Ideal City: var. A4 notes, colour Xeroxes and clippings re: city architecture c. 10/03
0098
Studies of the PopeÕs head
0099
Var. magazine clippings of couples kissing (Brad and Jennifer, Jen and Ben, Britney and Madonna)
0100
Var. a4 notes for text pieces (really really pretty painting Handwriting Analysis Lots of artistÕs signatures
0101 - 0102
Source clippings for painting New Amsterdam (crowd shots) and original tracings.
0103 - 0126
Var. notes and Xerox copies on A4 paper for making painting New Amsterdam c. 10/04
0127 - 0155
Var. runway shots, single figures. Source clipping for Jenoptik-LCGA
0156
A4 sketches and notes: safari, click, jungles, Kalamana; newspaper clipping 17/3/02 Models at the Dries Van Noten show where the audience was alarmed by bombing in Afghanistan
0157
Newspaper clipping of designer office table and chairs (source/date unidentified)
0158
Var. A4 notes for Parade and New Amsterdam
0159
colour Xeroxes of jungle and Ananda Hotel, Northern India (In Style Magazine Dec 2003)
0160
Var. clippings; press conference with Alan Greenspan
0160
Unfilled clippings c. 15/07/02
0161
c. April 2003 var. A4 notes But a book about paintings by Giotto-OH/NA start
0162
Notes c. 28/12/02 clipping Herb Ritts: The Photographer Who Turned The Glamorous Celebrity Lifestyle Into Art The Guardian 21/28/02; Herb Ritts 1952 - 2002 Photographer To The Famous, Regarded As WorldÕs Top Fashion And Advertising Image-Maker Dies In L.A. Hospital-
0163
Notes c. 21/10/03
0164
Newspaper clipping the Age of Selfishness: Rampant individualism is corroding our personal lives, politics and popular culture source unidentified. Var. notes c. 18/12/02-
0165 - 0166
Large collection of notes and clippings c. 17/01/03; byline: Some states might be excused for not wishing to take part in globalisation if they have the welfare of the urban poor at heart.
0167
Colour Xeroxes clippings urban decay, garbage, debris; Jean Paul Gautier; various magazine clippings of people on the telephone, var. notes c. 27/3/04-Yr 2003/4
0168
Var. magazine clippings of runway and fashion shows
0169
10/4/04 sketches for layout of exhibition at Limerick City Gallery; Obituaries Brilliant Philosopher Engaged swith the Interaction of Art and Psychoanalysis. Richard Wollheim The Guardian November 5 2003; clipping Penelope Cruz at a press conference; source clipping Gwyneth Paltrow as Sylvia Plath
0170
Notes c. 13/3/04 handwritten note: the problem of specific things
0171
Small folio of photographs of paintings OH/NA series
0172
Newspaper clipping; The Devil that was his own Darkside, Marianne Faithful on the life and work of William Burroughs. Reverse side: Cannes: The Tarantino Effect, this year's festival opens tonight with one man's fingerprints all over it The Guardian 12/05/05
0173
File 1H
18/3/04 White Spirit paint thinner label
0174
13/12/04 handwritten text in purple felt tip pen: elements of graceful surprise handwritten text in black marker: GUILT the subject 9 PTGNS
0175
Clipping (source unidentified) I can hear a rainbow This is what Laura Barton sees when these words are spoken. Here she explains what itÕs like to suffer from synaethesia 23/9/03
0176
12/4/4 colour Xerox of bookshop window display of the works of Evelyn Waugh
0177
3 small folios - titanium white paint label w/handwritten text: New Amsterdam
0178
File 1
Clippings of stacks of books arranged in various colour palettes-Proto
0179
clipping 26/7/02 (source unidentified) Tim is evicted from the Big Brother house last week as the final four contestants look on; 27/2/03 clipping (source unidentified) image of a woman on an airstrip with the caption The Middle East: not an easy place for businesswomen (above)
0180
Var. clippings c. 5/1/03
0181
handwritten list: A TREE, A PERSON, A BOOK (PAGE), A TELEVISION, (A BEACH), A DIAMOND, A RADIO, STEPS, A PLANE, BAGS OF WASTE, A SUBURBAN HOUSE (DUTCH STYLE), A GARBAGE TRUCK, MORE CAR [sic.], A SIGN (OBLIQUELY)
0182
Var. clippings of designed interiors
0183
11/01/03 computer written note: Make a drawing by looking at an object or image for a time, put the object or image out of sight, then draw as much as you can and then look again continuing the process until the representation is complete.
0184
Source clipping for Capetown
0185
Var. colour Xeroxes of designed interiors
0186
c. 17/1/03 catalogue clipping of stack of jumpers forming a rainbow colour palette.
0187 - 0189
File 1J
Var. colour Xeroxes ref. Beach, dancer, Aus road, Waterfall c. 27/04/01-Beach Dancer
0190
File 1K
Newspaper clipping and colour Xeroxes of Cyprus
0191
Mounted magazine clipping of large mansion (Observer Magazine 20 October 2002) reverse of card: handwritten note in pencil: PSYCHOGEOGRAPHY
0192
Source unidentified: Architect who made his home an illustration of what modern design could offer: Patrick Gwynne
0193
Diana Brooks pictured at SothebyÕs (source unidentified)
0194
File 1L
13/3/04 suggested narrative for the paintings in In Fashion made from a sequence of A4 b&w xeroxes.
0195
Var. magazine clippings. Source clipping for Dubai painting (caption: Tiger Woods drives off the top of the Burj Al Arab Hotel in Dubai
0196 - 0198
Var. colour and b&w Xeroxes c. 15/1/04
0199 ++
File 1M
Var. clippings of modernist architecture in the jungle-8/2/3
0200 - n
Box 2 - 8
Folios 9 - 14 - not yet itemized as of 15/01/05