The Metropolitan Complex

Caged Archive

A collaboration between Mark O'Kelly and Sarah Pierce on the occasion of Mark O'Kelly's solo exhibition In Fashion at Limerick City Gallery of Art (14 January - 14 February 2005).

For Caged Archive Pierce worked directly with one artist, Mark O'Kelly, in the context of his solo exhibition. Playing on Bruce Nauman's Mapping the Studio (Fat Chance John Cage) 2000, Pierce and O'Kelly designed a system for viewing materials collected from the artist's studio. Pierce worked with O'Kelly's archive to create a written index to the artists primary resources. The formal structure of Caged Archive suggests Nauman's gallery chambers, and directions on the cage mark the collaboration between Pierce and O'Kelly as a ritualised giving over of materials in order to make present what is usually left behind.

Caged Archive, Limerick City Gallery, Limerick 2005

How to dramatize the consciousness of viewing (notes on the Caged Archive)

Design and fabricate a cage suitable for two people to stand in and move around comfortably.

Place the cage in an exhibition space, preferably.

Select items from the artistÕs archive of source material (notes, newspaper and magazine clippings, sketches, letters, Xeroxes).

Place these inside the cage.

List and annotate items using comments and notes.

Equip the cage with suitable furnishings, locks and fittings.

Instructions for the artist

Periodically enter the cage to show people items in the archive.

Instructions for the viewer

Take in the small connections and associations that reveal hidden truths.

Items in Caged Archive from Mark O'Kelly's studio

0000

Small mirror approx 25 x 29 mm from Mark O'Kelly's studio

FILE 1 0001-0080

var. A4 notes and newspaper clippings re: installation exhibition Old Holland New Amsterdam c. 10/05

0077

Living Review:Homes Var. windmills (studies for painting Old Holland)

0078

Unidentified newspaper (poss. The Guardian): 12/02/04 photograph of cages, prison Camp Delta Guantanamo Bay; reverse Arts Section The Camera DoesnÕt Lie 2 archival crowd shots of the 2nd anniversary of the Russian Revolution, 1919, one with Lenin and Trotsky, one with Trotsky airbrushed out

0079-0080

A4 sheet of paper with handwritten note: Handwriting Analysis in pencil

0081 - 0097

The Ideal City: var. A4 notes, colour Xeroxes and clippings re: city architecture c. 10/03

0098

Studies of the PopeÕs head

0099

Var. magazine clippings of couples kissing (Brad and Jennifer, Jen and Ben, Britney and Madonna)

0100

Var. a4 notes for text pieces (really really pretty painting Handwriting Analysis Lots of artistÕs signatures

0101 - 0102

Source clippings for painting New Amsterdam (crowd shots) and original tracings.

0103 - 0126

Var. notes and Xerox copies on A4 paper for making painting New Amsterdam c. 10/04

0127 - 0155

Var. runway shots, single figures. Source clipping for Jenoptik-LCGA

0156

A4 sketches and notes: safari, click, jungles, Kalamana; newspaper clipping 17/3/02 Models at the Dries Van Noten show where the audience was alarmed by bombing in Afghanistan

0157

Newspaper clipping of designer office table and chairs (source/date unidentified)

0158

Var. A4 notes for Parade and New Amsterdam

0159

colour Xeroxes of jungle and Ananda Hotel, Northern India (In Style Magazine Dec 2003)

0160

Var. clippings; press conference with Alan Greenspan

0160

Unfilled clippings c. 15/07/02

0161

c. April 2003 var. A4 notes But a book about paintings by Giotto-OH/NA start

0162

Notes c. 28/12/02 clipping Herb Ritts: The Photographer Who Turned The Glamorous Celebrity Lifestyle Into Art The Guardian 21/28/02; Herb Ritts 1952 - 2002 Photographer To The Famous, Regarded As WorldÕs Top Fashion And Advertising Image-Maker Dies In L.A. Hospital-

0163

Notes c. 21/10/03

0164

Newspaper clipping the Age of Selfishness: Rampant individualism is corroding our personal lives, politics and popular culture source unidentified. Var. notes c. 18/12/02-

0165 - 0166

Large collection of notes and clippings c. 17/01/03; byline: Some states might be excused for not wishing to take part in globalisation if they have the welfare of the urban poor at heart.

0167

Colour Xeroxes clippings urban decay, garbage, debris; Jean Paul Gautier; various magazine clippings of people on the telephone, var. notes c. 27/3/04-Yr 2003/4

0168

Var. magazine clippings of runway and fashion shows

0169

10/4/04 sketches for layout of exhibition at Limerick City Gallery; Obituaries Brilliant Philosopher Engaged swith the Interaction of Art and Psychoanalysis. Richard Wollheim The Guardian November 5 2003; clipping Penelope Cruz at a press conference; source clipping Gwyneth Paltrow as Sylvia Plath

0170

Notes c. 13/3/04 handwritten note: the problem of specific things

0171

Small folio of photographs of paintings OH/NA series

0172

Newspaper clipping; The Devil that was his own Darkside, Marianne Faithful on the life and work of William Burroughs. Reverse side: Cannes: The Tarantino Effect, this year's festival opens tonight with one man's fingerprints all over it The Guardian 12/05/05

0173

File 1H

18/3/04 White Spirit paint thinner label

0174

13/12/04 handwritten text in purple felt tip pen: elements of graceful surprise handwritten text in black marker: GUILT the subject 9 PTGNS

0175

Clipping (source unidentified) I can hear a rainbow This is what Laura Barton sees when these words are spoken. Here she explains what itÕs like to suffer from synaethesia 23/9/03

0176

12/4/4 colour Xerox of bookshop window display of the works of Evelyn Waugh

0177

3 small folios - titanium white paint label w/handwritten text: New Amsterdam

0178

File 1

Clippings of stacks of books arranged in various colour palettes-Proto

0179

clipping 26/7/02 (source unidentified) Tim is evicted from the Big Brother house last week as the final four contestants look on; 27/2/03 clipping (source unidentified) image of a woman on an airstrip with the caption The Middle East: not an easy place for businesswomen (above)

0180

Var. clippings c. 5/1/03

0181

handwritten list: A TREE, A PERSON, A BOOK (PAGE), A TELEVISION, (A BEACH), A DIAMOND, A RADIO, STEPS, A PLANE, BAGS OF WASTE, A SUBURBAN HOUSE (DUTCH STYLE), A GARBAGE TRUCK, MORE CAR [sic.], A SIGN (OBLIQUELY)

0182

Var. clippings of designed interiors

0183

11/01/03 computer written note: Make a drawing by looking at an object or image for a time, put the object or image out of sight, then draw as much as you can and then look again continuing the process until the representation is complete.

0184

Source clipping for Capetown

0185

Var. colour Xeroxes of designed interiors

0186

c. 17/1/03 catalogue clipping of stack of jumpers forming a rainbow colour palette.

0187 - 0189

File 1J

Var. colour Xeroxes ref. Beach, dancer, Aus road, Waterfall c. 27/04/01-Beach Dancer

0190

File 1K

Newspaper clipping and colour Xeroxes of Cyprus

0191

Mounted magazine clipping of large mansion (Observer Magazine 20 October 2002) reverse of card: handwritten note in pencil: PSYCHOGEOGRAPHY

0192

Source unidentified: Architect who made his home an illustration of what modern design could offer: Patrick Gwynne

0193

Diana Brooks pictured at SothebyÕs (source unidentified)

0194

File 1L

13/3/04 suggested narrative for the paintings in In Fashion made from a sequence of A4 b&w xeroxes.

0195

Var. magazine clippings. Source clipping for Dubai painting (caption: Tiger Woods drives off the top of the Burj Al Arab Hotel in Dubai

0196 - 0198

Var. colour and b&w Xeroxes c. 15/1/04

0199 ++

File 1M

Var. clippings of modernist architecture in the jungle-8/2/3

0200 - n

Box 2 - 8

Folios 9 - 14 - not yet itemized as of 15/01/05